Kyle: Sure, but I feel like you had to realize just how strong you were coming on with how ridiculous everything was. Where did you think subtlety was going to come from? It’s your own fault if you don’t like the presentation. James: I’m sorry, did you not read any of the rest of the cover? I co-wrote A Chorus Line. There was so much ham in the first few sections of the story I felt I was reading a Monty Python sketch. Kyle: But so much of this story wants to take it over the top all the time. Kyle: So, I’m sort of into the idea of plays, even novelized ones, being these big character studies, where we get a hero tossed into a “what if” scenario and we see how he grows and develops through that. James: Hey, I’m not the one who gave your critically-acclaimed wacky comedy play-novel only two stars, now, am I? James: Well, you’re a writer who hasn’t finished anything of consequence in months, and I’m dead. When I got your note, I knew I had to talk to you. I know it was tough to manage, being dead and all. Kyle: James, thanks for meeting me today.
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